When the facts count.

Technical Data

Control Panel

  • Frames from 16 + 16 faders to 64 + 16 faders
  • Remote Frames 16 and 32 faders
  • 6 banks per 2 layers each
  • 100 mm faders + 2 rotary controls free assignable + Input Gain Controller, channel display for every fader with sense-triggered change of module display in the Channel Display, dedicated Reveal area
  • TFT metering mono, stereo or 7.1 including bus assignment, gain reduction for dynamics, AfV status, VCA assignment
  • External display of GUI pages e.g. metering

Signal Processing

  • 512 channels and 144 summing buses, 40 bit floating point
  • Up to 376 inputs with A/B input, 48 sub groups, 32 aux sends, 96 track busses, 48 main sums, change on the fly from mono to stereo to surround channel and bus
  • Up to 64 surround channels, 128 VCA groups with metering, 256 GPC channels
  • Surround formats: DTS/Dolby Digital 5.1, Dolby Pro-logic 4.0, DTS ES / Dolby EX 6.1, SDDS 7.1, DTS-HD 7.1, diverse panning characteristics, surround aux bus
  • Loudness metering: full integration in mc² mixing consoles - see below
  • AMBIT: conversion of stereo signals to surround sound
  • 2* AFL: 1* surround 8-channel, 1*stereo
  • 2* PFL stereo
  • Audio-follow-Video with 128 events, control either via Remote
  • MNOPL, GPI or Matrix Connect, adjustable envelope up to 10 s fade time
  • Solo In Place
  • Permanent input measuring point in the fader, adjustable measuring points INPUT, PF, AF, DIROUT in the Channel Display
  • Modules: INMIX with MS-Decoder, Digital Amp, 2-band fully parametric Filter, 4-band fully parametric EQ, 2-band fully parametric Sidechain Filter, Insert, Delay up to 1800 ms (units in metres, milliseconds, frames), independent 4 Dynamics: Expander, Gate, Compressor, Limiter, Image, Meter, Direct Out
  • Inline configuration with send/return switching - at the channel or global
  • Fully equipped surround channel with coupling of all channel parameters and Hyper Panning
  • AMBIT Upmix with normal channel latency, available for every surround channel
  • Loudness Metering compliant to EBU R128 & ATSC/A85, available for every surround, stereo or mono channel; integrated metering for every sum or group

Routing Matrix

  • Up to 8192 crosspoints, non blocking
  • 96 kHz, 24 bit
  • Fully redundant signal path
  • Downsizing up to 7.1 to stereo
  • Full networking of up to 16 HD Cores, share and import of sources and destinations, studio arbitration
  • Level control for every input and output

Loudness Metering *

  • Full integration of loudness metering complying with ITU-R BS.1770
  • Compatible with international recommendations like EBU R128 and ATSC A/85
  • International recommendations are stored as preset, they can be adapted anytime
  • Available in any channel strip
  • Different visualisations can be defined per channel:
    • Classical peak meter
    • Loudness meter
    • Combination of peak and loudness meter displays true peak and loudness complying with ITU-R BS.1770
  • Long-term measurement in all summing channels
  • Exposed display of the measured values in the GUI header
  • Absolute and relative visualisation of the scales and measured values
  • EBU +9, EBU +18 and ITU-R BS.1771 scales
  • True peak metering complying with ITU-R BS.1770 displays true peak values
  • The time slots Momentary (400ms) and Short-Term (3s) can be defined individually for all input and summing channels
  • Using additional LFE measuring and selectable gating settings prepared for future norms

(*available with V4.14 SW Release)

Plugin Server

  • Full VST plugin integration with storing of plugin parameters in snapshots and productions

Interfaces

  • Mic/Line, Line Out, AES, SDI, MADI, ATM, GPIO, Serial, MIDI (for details see DALLIS product information)
  • Monitoring systems stereo and surround

Synchronisation

  • 2 redundant inputs with automatic detection of Blackburst, Wordclock, AES3, MADI

Redundancies

  • PSUs, DSP boards, router board
  • Fully redundant signal path
  • PSU for control system and control panel

Control

  • Bay-Iso with separate layer and bank switching as well as 2nd PFL/AFL bus
  • Global A/B input switching
  • Enhanced mix-minus (N-M) control with independent off-air conference
  • Diverse tally- and faderstart modes
  • Programme switch
  • Machine control
  • Manifold T/B integration
  • Camera microphone remote via GPI or voltage control
  • Remote desktop access from TFT to external computer

External Control Systems

  • Remote control via network of all routing parameters
  • Online configuration with AdminHD, graphical configuration of HD Core components
  • External matrix controller: BFE, VSM, Evertz, Miranda, Sony, and others
  • iPhone App

Remote Maintenance

  • Connection via Internet Remote Software
  • Software updates, error diagnostics, remote
  • mxGUI: remote control of console via laptop

 

Subject to change without prior notice, no responsibility is taken for the correctness of the details provided.